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A Quick Phrase Well Placed Turns The Coin

The importance of major events must not be forgotten. It’s true in all media. Advertising people know this. Creating an event – pegged to a brand – is the stuff the ad people dream of. “Find a parade and claim it,” Walt Disney once said. The social media people know this.

dunkScoring the Super Bowl ads has long been, for a certain set, far more important than whatever happens on the field, half-time entertainment notwithstanding. Advertisers spent about US$ 3.8 million (roughly €2.8 million) for 30 second spot placement during the CBS network broadcast, double that for prime positions at half-time. Creative and production costs are easily equal. Just short of 110 million Americans watched, down slightly from previous years, with a few extras in the rest of the world.

The regular Super Bowl advertisers were primed and ready. Automakers from Mercedes Benz and Jeep to Kia, Toyota, VW, Hyundai and Dodge pushed their brands with vignettes of families, teens and outer space.  TV mega-star Oprah Winfrey thanked American soldiers for their service in the Jeep ad, one of several with vague political leanings.

Sentimentality always works on TV and the Dodge Trucks 2-minute spot saluting the American farmer tugged hard on the heart-strings.  Another 2-minute ad, Samsung’s “Pitch” with actors arguing about Super Bowl ad ideas, was the second most watched, according to Kantar, proving that ad people and ad fans stick around for the spots. The most watched spot was a CBS promo for the series “Person of Interest.”

Attracting attention, with slight controversy, were ads from web hosting company Go Daddy and Volkswagen. The ad for Go Daddy featured Israeli supermodel Bar Refaeli in extended smooches with actor-playing-a-nerd Jesse Heiman. Culture critics called it sexist. The VW ad, broadcast in the pre-game segment, depicted a white office worker singing a Bob Marley verse in Jamaican patois. Culture critics called it racist.

Getting the most “bang for the buck” from the Super Bowl was social network Twitter. “All of this year's Super Bowl commercials tallied a combined 3.9 million social-media comments across Twitter and public Facebook,” said social TV analytics firm Bluefin Labs spokesperson Tom Thai, quoted in AdAge (February 4).  “That's a 225% increase from last year.” Twitter acquired Bluefin Labs, reported Business Insider (February 5), for an undisclosed sum.

Effecting little or nothing – conspiracy theories notwithstanding – was a 30-minute power outage at the New Orleans venue. Affecting everything that ad people will talk about for the rest of the year was the Twitter-pounce by cookie brand Oreo. “Power out? No problem. You can still dunk in the dark,” said the social media ad launched within minutes of the blackout on the Oreo Twitter account. How’d they do that? Simple; they had 15 person social media team from digital agency 360i waiting for an opportunity.

“Is this going to sell more Oreos at the end of the day?” asked Wharton marketing professor Jonah Berger, quoted by Wired (February 4). “Hard to tell. It definitely makes the brand seem like a more clever, more interesting, sharp brand. So in terms of brand equity this is as effective, if not more effective, than just showing another Super Bowl ad.”

The Wall Street Journal (February 4) reported the Oreo cookie coup under the headline “How Oreo Culture-jacked The Super Bowl.”

The real Super Bowl of television advertising comes in May with the Cannes international ad fest. Second screen advertising was a hot topic last year. This year it will be “culture jacking.”


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